A formal seventeenth-century engraving by Theodor Matham, depicting Filips van Rouveen in ecclesiastical attire with heraldic details.

This engraving by Theodor Matham depicts Filips van Rouveen in his ecclesiastical vestments. Matham, a member of a prominent family of Dutch engravers, demonstrates his technical proficiency through the precise handling of the burin. The composition follows the conventions of seventeenth-century portraiture, placing the subject in a formal, architectural setting that conveys his status within the church hierarchy.

Van Rouveen is shown in profile, wearing a mitre and holding a processional cross. His vestments are rendered with attention to the texture of the fabric, showing the folds of the cope and the decorative embroidery. To the left, a coat of arms is displayed on a pillar, accompanied by the Latin motto 'PIETATE MANUQUE'. The inclusion of this heraldic element serves to identify the subject and his lineage, a common practice in formal portraiture of the period.

The use of line work creates a sense of volume and depth, particularly in the drapery of the robes and the architectural features of the background. Matham employs varying densities of hatching to suggest shadow and light, providing a clear definition of the forms. The chair positioned behind the subject adds a sense of physical presence to the scene, grounding the figure within the space. This work provides a clear example of the formal portrait style favoured by the Dutch elite during the mid-seventeenth century, prioritising clarity, detail, and the clear communication of the subject's social and religious position. The print remains a record of both the individual and the stylistic expectations of the era.