A detailed seventeenth-century engraving by Cornelis Visscher (II) depicting Dirk III, Count of Holland, within a formalised oval frame and heraldic cartouche.

This engraving by Cornelis Visscher (II) depicts Dirk III, Count of Holland, presented within a formal oval frame. Visscher, a skilled Dutch engraver active during the mid-seventeenth century, demonstrates his technical proficiency through the varied line work used to define the textures of the subject's clothing, the fur trim, and the metallic sheen of his armour. The portrait is constructed with a clear hierarchy of elements: the central figure is enclosed in an oval, which is set against a rectangular background featuring decorative corner motifs.

Below the portrait, a cartouche contains Latin text identifying the subject as Theodoricus III, Hierosolymita, alongside details of his lineage and death. The inclusion of a heraldic lion at the base, flanked by further Latin inscriptions, aligns with the conventions of historical portraiture common in the Netherlands during this period. These elements serve to formalise the identity of the count, framing him as a figure of historical authority. The composition is balanced and symmetrical, reflecting the orderly approach to printmaking that defined much of Visscher's output.

Technically, the work relies on the precise application of burin strokes to create depth and shadow. The artist uses cross-hatching to model the facial features and the folds of the garments, while the background remains relatively light to ensure the figure remains the primary focus. This print is typical of the historical series produced by Visscher, which often sought to document figures of regional importance through a combination of portraiture and heraldic symbolism. The clarity of the lines and the structured layout provide a clear example of seventeenth-century Dutch printmaking techniques, where the integration of text and image was essential for historical documentation.