Portrait of Ruth Rivera - Diego Rivera
Archival giclée
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Description
A portrait of Ruth Rivera by her father, Diego Rivera, featuring a circular mirror to capture multiple perspectives of the subject.
This painting depicts Ruth Rivera, the daughter of the artist, captured in a moment of quiet introspection. Diego Rivera employs a compositional device involving a large, circular mirror, which allows the viewer to see both the back of the subject and her reflected profile simultaneously. This dual perspective provides a comprehensive view of her form, while the soft, draped white garment adds a classical quality to the composition.
The colour palette relies on muted tones, with the luminous, pale yellow of the mirror acting as a light source that illuminates the subject. Rivera uses smooth brushwork to define the folds of the fabric and the contours of the figure, demonstrating his technical control. The inclusion of the easel stand on the right side of the frame provides a sense of the studio environment, grounding the work in the reality of the artist's practice.
Ruth Rivera, who became an architect and a significant figure in the cultural life of Mexico, is portrayed here with a sense of dignity and calm. The painting avoids excessive ornamentation, focusing instead on the relationship between the figure and the reflective surface. The use of light and shadow creates a sense of volume, while the overall arrangement remains balanced and measured. This work offers a glimpse into the personal life of the artist, documenting his relationship with his daughter through a lens of artistic observation. The simplicity of the background ensures that the focus remains entirely on the subject, allowing the viewer to engage with the portrait without distraction. It is a clear example of Rivera's ability to combine formal portraiture with a more personal, narrative approach to his subjects.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Ruth Rivera - Diego Rivera
Artist Biography
Diego Rivera
He studied at the Academy of San Carlos in Mexico City and spent fourteen years in Europe (1907-1921), absorbing Cubism in Paris and working alongside Picasso, Modigliani, and Mondrian. He returned to Mexico and found his subject: the history, labour, and people of his country, painted in a style that combined Renaissance fresco technique with pre-Columbian imagery and Marxist ideology.
The Detroit Industry Murals at the Detroit Institute of Arts (1932-33) are twenty-seven panels depicting the Ford Motor Company's River Rouge plant. The workers are heroic. The machinery is beautiful. Henry Ford's son Edsel commissioned them. The business community wanted them destroyed. They survived.
He married Frida Kahlo in 1929. They divorced in 1939. They remarried in 1940. The relationship was mutually unfaithful, politically intense, and artistically productive for both of them. Rivera said Kahlo was the better painter. Whether he believed this or was performing generosity is an open question.
He accepted a commission from Nelson Rockefeller for a mural in Rockefeller Center in 1933 and included a portrait of Lenin. Rockefeller asked him to remove it. Rivera refused. The mural was destroyed. Rivera repainted it in Mexico City. He died in 1957, at seventy.
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