Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Portrait of Dr. Dumouchel - Marcel Duchamp
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
Marcel Duchamp's "Portrait of Dr. Dumouchel" is a striking depiction of a man in profile, rendered with an elongated face and a sharp, almost caricatured profile, using muted greens, purples, and flesh tones.
Marcel Duchamp's "Portrait of Dr. Dumouchel" presents a striking, somewhat unsettling depiction of a man in profile. The subject, presumably Dr. Dumouchel, is rendered with an elongated face and a sharp, almost caricatured profile. The colour palette is dominated by muted greens, purples, and flesh tones, creating a slightly sickly atmosphere. The brushwork is loose and expressive, contributing to the overall sense of unease. The subject's hands are prominently displayed, adding to the psychological tension of the piece. Duchamp's early work, while not as conceptually radical as his later readymades, often explored themes of alienation and the human condition. This portrait, with its distorted features and unsettling mood, fits within that context. The painting's composition, with the figure set against an ambiguous background, further isolates the subject. The overall effect is a portrait that challenges conventional notions of representation and delves into the complexities of human identity. It is a work that invites contemplation on the nature of perception and the artist's role in shaping our understanding of the world.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Portrait of Dr. Dumouchel - Marcel Duchamp
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Marcel Duchamp
Duchamp put a urinal on a plinth, signed it 'R. Mutt', and submitted it to an exhibition in 1917. The exhibition committee, which Duchamp was a member of, rejected it. He resigned in protest. The urinal, titled Fountain, is now considered one of the most important artworks of the twentieth century. The original was thrown away. Several replicas exist in major museums.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
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