Orange, Red, Orange - Mark Rothko
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A classic colour field painting by Mark Rothko, "Orange, Red, Orange" is a bold yet harmonious abstract composition that brings a touch of modern sophistication to any interior.
Mark Rothko's "Orange, Red, Orange", painted in 1962, exemplifies his signature style of Abstract Expressionism. Rothko, a Latvian-born American painter, is renowned for his large-scale colour field paintings that evoke profound emotional responses. This work features two rectangles of luminous colour, one a vibrant orange-red and the other a softer orange, stacked vertically against a subtly textured background. The edges of the rectangles are soft and blurred, creating a sense of depth and allowing the colours to bleed into one another. Rothko aimed to create paintings that could be experienced as immersive environments, inviting viewers to contemplate the essence of human emotion. The simplicity of form belies the complexity of feeling that Rothko sought to convey. As a fine art print, "Orange, Red, Orange" brings a touch of modern sophistication and contemplative calm to any interior. Its bold yet harmonious colours make it a striking focal point, ideal for creating a serene and inviting atmosphere in your home.
Orange, Red, Orange - Mark Rothko
Sale price£28.00
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Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Mark Rothko
Mark Rothko, born Markus Yakovlevich Rothkowitz in Latvia in 1903, remains one of the most significant figures in abstract expressionism. While many associate him with colour field painting, Rothko resisted such categorisation, insisting his works were about profound human emotions: tragedy, ecstasy, and doom. He sought to create paintings that resonated with viewers on a deeply personal, almost spiritual level, often drawing inspiration from mythology and philosophy. Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting. Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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