A sixteenth-century hand-coloured woodcut by Doen Pietersz. depicting the biblical scene of the raising of Lazarus.

This hand-coloured woodcut by the Dutch printer and publisher Doen Pietersz. depicts the biblical narrative of the raising of Lazarus. The composition follows the conventions of early sixteenth-century Northern European book illustration, where the primary focus remains on the miraculous interaction between Christ and the resurrected figure. Christ stands to the left, his hand raised in a gesture of authority, while Lazarus emerges from the tomb, his form rendered with a stark, skeletal quality that contrasts with the more robust figures of the surrounding crowd.

The print exhibits the characteristic aesthetic of the period, featuring bold, clear outlines designed to be filled with colour. The palette is limited, relying on primary tones of red, green, and blue to define the garments and the architectural elements of the tomb. The background is minimal, suggesting a shallow space that keeps the viewer's attention fixed on the central event. The tree behind the figures provides a vertical anchor, balancing the horizontal lines of the tomb and the ground.

Doen Pietersz. operated in Amsterdam during the early decades of the sixteenth century. His work often appeared in devotional texts and popular literature, reflecting the demand for accessible religious imagery among the literate public. This specific woodcut demonstrates the functional nature of such prints: they were intended to clarify and animate the text for the reader. The physical presence of the paper, with its visible texture and the surrounding margins of the book page, provides a sense of the object's original context. The print remains a clear example of the graphic traditions that shaped visual literacy in the Low Countries during the transition from the late medieval period to the Renaissance.