Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed 1824 mezzotint by Charles Turner depicting a tranquil scene at a lock on the River Colne, showcasing masterful tonal control and atmospheric light.
This mezzotint, titled More Park near Watford on the River Colne, is a fine example of the topographical printmaking tradition in early nineteenth-century Britain. Produced by Charles Turner in 1824, the work captures a serene stretch of the English countryside. The composition focuses on the river lock, where a figure sits quietly, while another individual stands on the bank nearby. The foreground features detailed botanical elements, providing a sense of scale and texture that contrasts with the atmospheric treatment of the distance.
Turner was a highly skilled engraver, particularly noted for his mastery of mezzotint. This technique allowed for subtle gradations of tone, which he employs here to render the dramatic sky. Shafts of light break through the clouds, illuminating the rolling hills and the distant architecture of Moor Park. The interplay between the dark, velvety shadows of the lock and the luminous quality of the sky demonstrates the technical precision required for this medium. The print belongs to a broader series documenting the rivers of England, reflecting a period interest in the documentation of the British landscape through print media.
As a museum-grade reproduction, this print preserves the tonal depth of the original copper plate. The composition balances human activity with the natural environment, creating a quiet, observational study of a specific location. The inclusion of the river lock serves as a structural element, guiding the viewer's eye across the water towards the horizon. This piece offers a glimpse into the aesthetic values of the Romantic era, where the depiction of light and weather conditions became as important as the physical geography itself. It remains an excellent example of the collaborative nature of print production during this period, where the engraver's skill was essential to the dissemination of artistic vision.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Charles Turner
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