A powerful 1920 woodcut by Käthe Kollwitz, depicting a sombre scene of mourning for the assassinated political leader Karl Liebknecht.

Käthe Kollwitz produced this woodcut in 1920 to commemorate the assassination of the communist leader Karl Liebknecht, who was killed during the Spartacist Uprising in Berlin in 1919. The composition draws upon the traditional Christian iconography of the Lamentation of Christ, yet it reinterprets this religious motif through a secular, political lens. A group of mourners gathers around the body of the fallen leader, their faces etched with grief and exhaustion. The figures are compressed into the upper portion of the frame, creating a sense of claustrophobia and collective sorrow.

Kollwitz utilises the woodcut medium to great effect, employing stark contrasts between black and white to heighten the emotional weight of the scene. The jagged, angular lines characteristic of her work during this period emphasise the harshness of the political climate in post-war Germany. The figures are rendered with a raw, unvarnished quality, avoiding idealisation in favour of a direct, visceral depiction of human suffering. At the base of the print, the inscription reads: 'Die Lebenden dem Toten. Erinnerung an den 15. Januar 1919' (The living to the dead. In memory of 15 January 1919).

This work reflects the artist's deep engagement with the social and political struggles of her time. By focusing on the collective act of mourning, Kollwitz shifts the attention from the individual martyr to the community left behind. The heavy, dark forms dominate the visual field, leaving little space for light or relief. This stylistic choice reinforces the gravity of the subject matter, presenting a sombre reflection on the human cost of political violence. The print remains a significant example of how graphic art can communicate complex historical narratives through simplified, powerful visual language.