Mata Mua (In Olden Times) - Paul Gauguin
Archival giclée
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Description
Paul Gauguin's *Mata Mua (In Olden Times)*, painted in 1892, captures a stylised vision of Tahitian life with its striking colours and balanced composition, reflecting Gauguin's interest in Primitivism and a longing for a simpler existence.
Paul Gauguin's 1892 oil on canvas, *Mata Mua (In Olden Times)*, exemplifies his Post-Impressionist style and his interest in Primitivism. Gauguin spent considerable time in French Polynesia, and this work reflects his vision of Tahitian life. The painting depicts a scene with several Tahitian women in a stylised, dreamlike setting. In the background, a seated figure, possibly a deity or ancestor, watches over the scene. The foreground features two women seated on the ground, surrounded by white flowers. Other figures are seen walking along a path in the middle ground. Gauguin's use of colour is striking, with a palette of reds, greens, yellows, and purples creating a sense of exoticism and otherworldliness. The composition is carefully arranged, with the figures and trees creating a balanced, harmonious whole. The painting's title, *Mata Mua*, meaning 'In Olden Times', suggests a longing for a simpler, more natural way of life, away from the industrialised world. Gauguin's work often explored themes of spirituality, nature, and the human condition, and this painting is a fine example of his artistic vision.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Mata Mua (In Olden Times) - Paul Gauguin
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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