Looking Sleepy - The Appearance of a Courtesan of the Meiji Era - Tsukioka Yoshitoshi
Archival giclée
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Description
A woodblock print from the series 'Thirty-two Aspects of Customs and Manners' by Tsukioka Yoshitoshi, depicting a weary courtesan in the Meiji era.
This woodblock print is part of the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuniso), produced by Tsukioka Yoshitoshi in 1888. The series captures the shifting social atmosphere of the Meiji period, documenting the appearance and habits of women across various social strata. In this specific work, Yoshitoshi depicts a courtesan in a moment of repose. Her posture, with one arm supporting her head and the other resting across her chest, conveys a sense of weariness or boredom.
The composition employs the flat aesthetic characteristic of late Ukiyo-e, yet it incorporates a psychological depth that distinguishes Yoshitoshi from his predecessors. The courtesan wears a kimono featuring a bold, repetitive floral pattern, which contrasts with the muted, neutral background. A screen behind her is decorated with subtle botanical motifs, providing a sense of interior space without resorting to Western-style perspective. The artist uses a refined line quality to define the contours of her face and the elaborate arrangement of her hair, which is styled in the traditional manner of the era.
Yoshitoshi was a master of the late Edo and early Meiji periods, often noted for his ability to blend traditional Japanese techniques with a modern sensibility. His work frequently explored the internal lives of his subjects, moving away from the idealised, mask-like faces common in earlier prints. This print serves as a record of the aesthetic and social conditions of the late nineteenth century, capturing the quiet, private moments of a woman whose public life was defined by performance and artifice. The colour palette is balanced, utilising deep reds and soft purples to draw the eye to the figure while maintaining a sense of harmony across the frame.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Looking Sleepy - The Appearance of a Courtesan of the Meiji Era - Tsukioka Yoshitoshi
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