Looking as if somebody is about to arrive - Tsukioka Yoshitoshi
Archival giclée
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Description
A woodblock print from the series 'Thirty-two Aspects of Customs and Manners' by Tsukioka Yoshitoshi, depicting a fireman's wife in the Kaei era.
This woodblock print is part of the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuniso), produced by Tsukioka Yoshitoshi in 1888. The series examines the changing social conditions and fashion trends of Japanese women across different historical eras. This specific image depicts a fireman's wife from the Kaei era (1848-1854), a period preceding the Meiji Restoration.
The subject is rendered with the characteristic precision of Yoshitoshi, who was one of the final masters of the ukiyo-e tradition. She is shown in a moment of quiet anticipation, her gaze directed away from the viewer as if she hears an approaching visitor. Her attire, a checked kimono, is rendered with clean lines, while the background features a bold, graphic representation of a fireman's standard or coat, providing a strong visual contrast to the figure. The colour palette is restrained, relying on muted tones for the clothing and background, punctuated by the deep red of the fireman's emblem and the subtle blue of her collar.
Yoshitoshi was known for his psychological depth and his ability to capture fleeting expressions. In this work, the artist avoids overly decorative flourishes, focusing instead on the posture and the specific historical markers of the subject's dress. The print demonstrates the technical skill involved in Meiji-period woodblock production, where the registration of colour blocks and the quality of the line work remained high despite the increasing influence of Western artistic techniques. The composition is balanced, with the figure positioned to draw the eye towards her expression, while the surrounding elements provide context regarding her social status and the era she represents.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Looking as if somebody is about to arrive - Tsukioka Yoshitoshi
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