Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A page from William Morris's unfinished Kelmscott Press edition of Froissart's Chronicles, featuring his signature Chaucer typeface and ornate woodcut borders.
This page represents a fragment of an ambitious project by William Morris, intended to be a Kelmscott Press edition of the Chronicles of Jean Froissart. Morris, a central figure in the Arts and Crafts movement, sought to revive the quality of medieval book production. He designed the typeface, known as Chaucer, specifically for his press, drawing inspiration from the early Venetian printers. The text is set in two columns, framed by elaborate woodcut borders that Morris designed himself. These borders feature dense, organic foliage patterns, reflecting his interest in medieval illuminated manuscripts and the natural world. The layout demonstrates the careful balance between text and ornament that defined the Kelmscott aesthetic. Morris believed that a book should be a unified work of art, where the typography, margins, and illustrations functioned as a cohesive whole. The heavy black ink and the stark contrast against the paper surface are characteristic of his printing philosophy. Although the Froissart project remained incomplete at the time of his death in 1896, the surviving proofs offer a clear view of his technical precision and his dedication to traditional craftsmanship. The borders are populated by swirling vines and floral motifs, which surround the black-letter type. This work provides a window into the final years of Morris's career, during which he focused almost exclusively on the production of fine books. It remains a significant example of his influence on modern graphic design and printing history, showing his ability to integrate historical styles with his own distinct decorative vision.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Artist Biography
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
William Morris
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