Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Caravaggio's "Judith Beheading Holofernes" captures the dramatic biblical scene with brutal realism and masterful use of chiaroscuro. This oil painting, created circa 1598-1599, exemplifies the artist's Baroque style and unflinching approach to historical subjects.
Caravaggio's "Judith Beheading Holofernes" is a dramatic oil painting, executed circa 1598-1599. The work depicts a scene from the Book of Judith, where Judith, a Jewish widow, assassinates Holofernes, an Assyrian general, to save her people from destruction. The painting is known for its brutal realism and use of chiaroscuro, a technique that employs strong contrasts between light and dark to create a theatrical effect. This approach is typical of Caravaggio's style and the Baroque period. In the painting, Judith is shown in the act of cutting off Holofernes' head, her face a mixture of determination and revulsion. An elderly maidservant stands by, holding a sack to receive the head. Holofernes is depicted in the throes of death, his body contorted in pain. The dark background intensifies the drama of the scene, focusing the viewer's attention on the figures and their actions. The red drapery above adds to the sense of violence and passion. Caravaggio's interpretation of this biblical story is unflinching and visceral. The painting is housed at the Galleria Nazionale d'Arte Antica in Rome.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Killed a man over a tennis match, fled Rome, and spent his last four years painting on the run. His use of light changed European painting permanently.
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