Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Joan of Arc in Prison - Paul Delaroche
Regular price
£37.00 GBP
Sale price
£37.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A dramatic history painting by Paul Delaroche, depicting the quiet tension between Joan of Arc and her interrogator in a dimly lit prison cell.
Paul Delaroche, a prominent figure in the French Academic tradition, produced this work during the early stages of his career. The painting depicts the historical figure Joan of Arc during her imprisonment, facing interrogation. Delaroche focuses on the psychological tension between the two primary figures: the seated cardinal, dressed in a striking red robe, and the captive Joan, who appears in a state of quiet resignation.
The composition relies on a stark chiaroscuro effect, typical of Delaroche's approach to historical subjects. The background remains largely obscured in shadow, which directs the viewer's attention to the interaction between the cardinal and the prisoner. The red of the cardinal's vestments provides a visual anchor, contrasting with the muted, earthy tones of the prison environment and Joan's simple attire. Delaroche avoids excessive ornamentation, preferring to let the narrative weight of the scene carry the composition.
This work demonstrates the artist's interest in humanising historical events. Rather than presenting a grand, heroic tableau, Delaroche chooses a moment of private suffering. The brushwork is precise, characteristic of the finish expected in the Paris Salon of the 1820s. The artist maintains a clear separation between the figures, using light to define their physical presence within the confined space. This painting is representative of the Romantic-influenced history painting that gained popularity in France during the early nineteenth century, where emotional resonance was as valued as technical accuracy. The work remains a clear example of how Delaroche utilised historical narratives to explore themes of isolation and authority.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Joan of Arc in Prison - Paul Delaroche
Regular price
From £37.00 GBP
Sale price
From £37.00 GBP
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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