In the Beginning Was the Image - Asger Jorn
Archival giclée
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Description
This abstract work by Danish artist Asger Jorn features bold brushstrokes and a dynamic arrangement of colours. 'In the Beginning Was the Image' reflects Jorn's interest in the subconscious and the expressive potential of abstract forms.
Asger Jorn (1914-1973) was a Danish artist, sculptor, ceramicist, and writer. He was a founding member of the avant-garde art movement known as COBRA (1948-1951). Jorn's artistic practice was characterised by its experimental nature and rejection of traditional artistic conventions. He sought to create art that was spontaneous, intuitive, and expressive of the human condition. His work often incorporated elements of mythology, folklore, and social commentary. Jorn's work is associated with Abstract Expressionism, Art Brut, and Situationist International. He produced a substantial body of work, including paintings, sculptures, ceramics, and graphic art. Jorn's work can be found in major museums and collections worldwide. 'In the Beginning Was the Image' is an abstract composition featuring bold brushstrokes and a dynamic arrangement of colours. The painting is dominated by blues, reds, and greens, which blend and overlap to create a sense of movement and energy. The composition is non-representational, with no clear figurative elements. The overall effect is one of spontaneity and improvisation, reflecting Jorn's interest in the subconscious and the expressive potential of abstract forms. The painting's title suggests an interest in the origins of visual language and the power of images to communicate ideas and emotions.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
In the Beginning Was the Image - Asger Jorn
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Asger Jorn
Born in Vejrum, Jutland in 1914, Jorn studied briefly in Paris in the late 1930s, where he attended Léger's atelier and worked with Le Corbusier on a pavilion project. During the Nazi occupation of Denmark he co-founded Helhesten, an underground cultural journal that kept experimental art alive through the war years. In 1948 he was a founding member of CoBrA, the international group that brought together artists from Copenhagen, Brussels, and Amsterdam in a loose avant-garde coalition emphasising raw expressiveness and collective mythology.
After CoBrA dissolved in 1951 he aligned briefly with the Situationist International, contributing theoretical writing alongside Guy Debord before a clean break in 1961. Over his lifetime he produced more than 2,500 works in paint, print, ceramics, and collage, and wrote over twenty books on aesthetics and political theory. He was also, incidentally, the first person to translate Franz Kafka into Danish. The major collection of his work is held at Museum Jorn in Silkeborg, which he helped establish. He died in Aarhus in May 1973.
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