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• What is Asger Jorn known for?+

  Asger Jorn is known for being a founding member of CoBrA, an international group of artists from Copenhagen, Brussels, and Amsterdam. He is also known for his involvement with the Situationist International^[1] and for producing over 2,500 works in paint, print, ceramics, and collage.
• What is Asger Jorn's most famous work?+

  Asger Jorn (born Asger Oluf Jørgensen in 1914^[1]) was a Danish^[1] artist known for his association with the COBRA^[1] art movement (Copenhagen, Brussels, Amsterdam). The group, founded in 1948^[1], advocated complete freedom of expression, with an emphasis on colour and brushwork. Jorn's work included painting, collage, book illustration, prints, drawings, ceramics, and sculpture. He participated in the Situationist International movement from 1957 to 1961. Jorn died in Aarhus, Denmark, in 1973^[1]. Although it is difficult to name one single 'most famous work', one piece that marked a breakthrough in his career was *Lettre a mon fils*. It was exhibited at the 1958 *50 ans d'art moderne* show in Brussels. Another noted work is *Green Ballet* (1960), an oil on canvas. It uses bright colours and sweeping movements, and it suggests floating figures across the canvas. In 1959, Jorn began his *Modifications* series, overpainting sentimental old canvases bought in junk shops.
• What should I know about Asger Jorn's prints?+

  Asger Jorn (1914^[1]-1973^[1]) was a Danish^[1] artist involved in painting, collage, book illustration, prints, drawings, ceramics, and sculpture. He was part of the COBRA^[1] movement (Copenhagen, Brussels, Amsterdam), which began around 1948^[1]. COBRA artists valued complete freedom of expression, with an emphasis on colour. Jorn edited COBRA monographs before leaving the group. In 1954, Jorn moved to Albisola, Italy, and participated in a continuation of COBRA called Mouvement International pour un Bauhaus Imaginiste. From 1957 to 1961, he participated in the Situationist International movement. In the early 1960s, Jorn travelled around Europe, researching Scandinavian art from prehistoric times to the early Middle Ages. The Silkeborg Kunstmuseum houses approximately 15,000 of his original photographic negatives and prints from this project. The Asger Jorn Foundation authenticates work attributed to Jorn and maintains records of his work.
• What style or movement did Asger Jorn belong to?+

  Asger Jorn, born in Denmark as Asger Oluf Jørgensen, is associated with several artistic movements. He studied at Léger's Académie Contemporaine in Paris in 1936^[1]. Later, during the Second World War, he remained in Denmark; his paintings from this period show the influence of artists such as Ensor, Kandinsky, Klee, and Miró. Around 1948, Jorn became one of the founders of the COBRA^[1] movement (Copenhagen, Brussels, Amsterdam), along with artists such as Appel, Constant, Corneille, Dotremont, and Noiret. COBRA's central idea was complete freedom of expression, with an emphasis on colour and brushwork. Jorn edited monographs for the group's Bibliotheque Cobra. After leaving COBRA, Jorn participated in the Mouvement International pour un Bauhaus Imaginiste. From 1957 to 1961, he was also involved with the Situationist International. Some critics have placed Jorn's work within the broader category of Informel abstraction. His association with the Situationist International also reflects a leftist critique of art institutions and a rejection of traditional artistic roles.
• What techniques or materials did Asger Jorn use?+

  Asger Jorn was a prolific artist who worked with many media. His practice included painting, collage, book illustration, prints, drawings, ceramics, and sculpture. He also accepted commissions for murals. In 1953^[1], Jorn began working extensively in ceramics. Jorn's paintings often feature thick applications of pigment, with line incised through the layered paint. He sometimes dripped paint from perforated tins, anticipating pointillism. By the mid-1950s, he would lay a canvas on a table or the ground while painting. He experimented with Jackson Pollock's drip method as early as 1953. Jorn also used collage, frottage, and colour sprayed with an airbrush. He floated colour on water, lifting it onto paper. In his early years, Jorn made sketches in India ink with ruler and compass. These explored planes, basic forms, and tensions between straight and curved lines. He sometimes tinted a canvas to create a coloured base, applying linear shapes or coloured outlines. He also used Dali's overlay technique to dissolve shapes in his drawings.
• What was Asger Jorn known for?+

  Asger Jorn (1914^[1]-1973^[1]) was a Danish^[1] artist known for his association with the COBRA^[1] movement, which began around 1948^[1]. COBRA, an acronym for Copenhagen, Brussels, and Amsterdam, advocated complete freedom of expression, with an emphasis on colour and brushwork. Jorn participated in a continuation of COBRA called Mouvement International pour un Bauhaus Imaginiste. His artistic output included painting, collage, book illustration, prints, drawings, ceramics, and sculpture. His canvases often featured faces and figures integrated with their surroundings. Jorn's work displays the influence of artists such as James Ensor, Wassily Kandinsky, Paul Klee, and Joan Miró. He also participated in the Situationist International movement from 1957 to 1961. Jorn divided his time between Paris and Albisola, Italy, after the mid-1950s. He died in Aarhus, Denmark.
• When did Asger Jorn live and work?+

  Asger Jorn, whose birth name was Asger Oluf Jørgensen, was born on 3 March 1914^[1] in Vejrum, Denmark. In 1929^[1], after his father's death, his family moved to Silkeborg; Jorn considered this his home town. He studied at Léger's Académie Contemporaine in Paris in 1936. During the Second World War, Jorn remained in Denmark. He painted and contributed to the magazine *Helhesten*. Around this time, he changed his surname to Jorn. In 1948, Jorn had his first solo exhibition in Paris, and he co-founded the COBRA^[1] movement with other artists from Copenhagen, Brussels, and Amsterdam. In 1951, he returned to Silkeborg, and, in 1953, he began working with ceramics. The following year, he settled in Albisola, Italy. After the mid-1950s, Jorn divided his time between Paris and Albisola. Jorn's first solo show in New York was in 1962. From 1961 to 1965, he studied early Scandinavian art. Jorn died of cancer on 1 May 1973^[1], in Aarhus, Denmark.
• Where can I see Asger Jorn's work?+

  Asger Jorn's work has been exhibited widely. In Europe, shows have occurred in cities such as Hannover, Venice, Paris, Munich, Basel, Amsterdam, Bergen, Gothenburg, Rotterdam, London, Turin, Bern, and Silkeborg. Outside Europe, his work has been shown in Seattle and New York. Jorn was born in Vejrum, Jutland, Denmark, in 1914^[1]. He spent time in Paris during the 1930s, studying at Léger's Académie Contemporaine. Later, he lived in Silkeborg, Denmark, and Albisola, Italy. Jorn was involved with the COBRA^[1] movement (Copenhagen, Brussels, Amsterdam), which advocated complete freedom of expression, and later with the Situationist International. His artistic output included painting, collage, book illustration, prints, drawings, ceramics, and sculpture. The Asger Jorn Foundation, established in 1974, maintains offices in Norway, Denmark, and England. The Foundation authenticates works attributed to Jorn and keeps records of works that have surfaced since the publication of his catalogue raisonné. The Silkeborg Kunstmuseum holds a significant collection of Jorn's work.
• Where was Asger Jorn from?+

  Asger Jorn was born Asger Oluf Jørgensen in Vejrum, Jutland, Denmark, on 3 March 1914^[1]. His father was the headmaster of the local school. After his father's death, his family relocated to Silkeborg, a small town in central Jutland. Jorn would later consider Silkeborg his hometown. In autumn 1936^[1], Jorn travelled to Paris and studied at Léger's Académie Contemporaine. During the Second World War, he remained in Denmark, creating paintings influenced by artists such as James Ensor, Wassily Kandinsky, Paul Klee, and Joan Miró. He also contributed to the magazine *Helhesten*. In 1945, he changed his surname from Jørgensen to Jorn. In 1951, Jorn, suffering from illness and poverty, returned to Silkeborg. In 1953, he moved abroad, and the following year he settled in Albisola, Italy. Jorn died on 1 May 1973^[1], in Aarhus, Denmark.
• Who did Asger Jorn influence?+

  Asger Jorn (1914^[1]-1973^[1]) was a Danish^[1] artist whose work touched several movements. He studied at Léger's Académie Contemporaine in Paris in 1936^[1]. During the Second World War, he remained in Denmark and contributed to the magazine Helhesten. Jorn was a founder of the COBRA^[1] movement in 1948, along with Appel, Constant, Corneille, Dotremont, and Noiret. COBRA's doctrine emphasised complete freedom of expression, with importance given to colour and brushwork. Later, Jorn participated in the Mouvement International pour un Bauhaus Imaginiste. He was also involved with the Situationist International from 1957 to 1961. His paintings from around 1948 feature faces and figures that have been compared to James Ensor, Dubuffet, and Klee. Jorn's method involved painting on canvases laid on a table or the ground. Some critics characterise Cobra art as a form of Expressionism. Jorn's work includes painting, collage, book illustration, prints, drawings, ceramics, and sculpture.
• Who influenced Asger Jorn?+

  Asger Jorn's artistic development involved several influences. Early on, he was inspired by the expressionistic style of the painter Martin Kaalund-Jorgensen, from whom he learned simplification of form and concentration of colour. Jorn's early works, around 1933^[1], included portraits and politico-satirical engravings. In 1936, Jorn went to Paris and studied with Fernand Leger. He found Leger's emphasis on clarity and even application of colour a contrast to the expressionism he knew. Jorn assisted Leger on Le transport des forces in 1937, and also worked with Le Corbusier at the Paris World's Fair. During the war, Jorn remained in Denmark and created paintings reflecting the influence of James Ensor, Wassily Kandinsky, Paul Klee, and Joan Miro. He contributed to the magazine Helhesten. Later, Jorn was a founder of the COBRA^[1] movement in 1948, which advocated complete freedom of expression. His work from about 1948 shows faces and figures reminiscent of Ensor, as well as Jean Dubuffet and Klee.
• Who was Asger Jorn?+

  Asger Jorn (1914^[1]-1973^[1]) was a Danish^[1] artist born Asger Oluf Jørgensen in Vejrum, Jutland. Jorn studied at Léger's Académie Contemporaine in Paris in 1936^[1]. During the Second World War, he remained in Denmark, creating paintings influenced by artists such as Ensor, Kandinsky, Klee, and Miró. He also contributed to the magazine *Helhesten*. In 1948, Jorn had his first solo exhibition in Paris, at the Galerie Breteau. Around the same time, he co-founded the COBRA^[1] movement with artists including Appel, Constant, and Corneille; the group advocated complete freedom of expression, with an emphasis on colour and brushwork. After COBRA disbanded in 1951, Jorn continued to uphold its principles. His paintings moved away from Surrealist ideas, but without entirely breaking from abstraction. After the mid-1950s, Jorn divided his time between Paris and Albisola, Italy. His artistic activities included painting, collage, book illustration, prints, drawings, ceramics, and sculpture. Jorn participated in the Situationist International movement from 1957 to 1961, and he worked on a study of early Scandinavian art between 1961 and 1965. Jorn died in Aarhus, Denmark.