A detailed woodblock triptych by Tsukioka Yoshitoshi depicting the historical military procession of Toyotomi Hideyoshi from his Nagoya encampment.

This triptych by Tsukioka Yoshitoshi depicts the historical mobilisation of Toyotomi Hideyoshi and his military forces from the Nagoya camp. As a prominent figure in the final generation of Ukiyo-e artists, Yoshitoshi maintained the traditional woodblock format while incorporating elements of the changing aesthetic climate of the Meiji era. The composition spans three sheets, creating a wide panoramic view of the encampment, the stone fortifications, and the orderly procession of soldiers. The scene captures the scale of the military operation with precision. On the left and centre panels, troops move across a bridge, carrying banners and standards that identify various units. The architecture of the castle walls, rendered with distinct stone-patterning, provides a solid structural anchor for the movement of the figures. In the background, ships are visible upon the water, suggesting the maritime logistics required for such a campaign. Yoshitoshi employs a clear, graphic line quality, typical of his mid-career work, which allows for the legibility of the numerous figures and heraldic designs present in the scene. Yoshitoshi was a student of Utagawa Kuniyoshi, and this print reflects the influence of his master in the treatment of historical subjects and the use of dynamic, multi-panel layouts. The colour palette is balanced, utilising traditional pigments that have retained their clarity. The print serves as a record of the visual culture surrounding the depiction of samurai history during the nineteenth century. By focusing on the logistics of the departure, the artist provides a view into the organisation of the feudal military structure. This work is a representative example of the historical genre that remained popular throughout the transition from the Edo period to the modern era in Japan.