Head of Girl, Feather in Turban - William James Glackens
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A captivating portrait by William James Glackens, 'Head of Girl, Feather in Turban' captures the essence of early 20th-century American Realism with its expressive brushwork and intimate portrayal of a young girl.
This captivating portrait, 'Head of Girl, Feather in Turban' by William James Glackens, exemplifies the artist's skill in capturing the nuances of human expression and the vibrant spirit of early 20th-century American Realism. Glackens, a key figure in the Ashcan School, was known for his depictions of everyday life, often focusing on the energy and vitality of urban scenes and its inhabitants. This particular work, however, offers a more intimate glimpse into the artist's sensibility. The subject, a young girl adorned with a feathered turban, gazes directly at the viewer with a mixture of innocence and quiet confidence. Glackens's brushwork is loose and expressive, creating a sense of movement and immediacy. The colour palette, dominated by soft blues, browns, and creams, adds to the painting's overall sense of warmth and intimacy. As a fine art print, this portrait would bring a touch of understated elegance and historical charm to any interior. Its subtle colours and delicate brushwork make it a versatile piece that would complement a variety of decor styles, from classic to contemporary. Display it in a living room, bedroom, or study to create a focal point that invites contemplation and conversation.
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Head of Girl, Feather in Turban - William James Glackens
Sale price£25.20
Regular price£28.00 (/)
Crafted for a Lifetime
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
William James Glackens
William Glackens, a leading light of the Ashcan School, wasn't just painting pictures; he was capturing the vibrant pulse of early 20th-century New York. Born in Pennsylvania in 1870, Glackens initially worked as an artist-reporter for newspapers, honing his skills for observation and quickly sketching scenes of city life. This background gave him a unique eye for detail and a knack for portraying the everyday experiences of ordinary people, a quality that would define his artistic career. Glackens's move to fine art saw him embrace the gritty realism of the Ashcan School. Unlike the more romanticised depictions of the era, Glackens plunged into the streets, depicting bustling marketplaces, crowded beaches, and lively theatre scenes. Works like 'Hammerstein's Roof Garden' and 'Chez Mouquin' are testaments to his ability to capture the energy and diversity of urban life. Though initially influenced by European Impressionism, Glackens developed a distinctly American style, full of movement and a keen sense of narrative. While some critics initially dismissed the Ashcan School's focus on the mundane, Glackens's work has since been recognised for its historical and artistic significance. He wasn't just painting scenes; he was documenting a pivotal moment in American history, capturing the spirit of a nation on the cusp of modernity. William Glackens died in 1938, leaving behind a body of work that continues to resonate with its honesty, energy, and enduring charm.
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