Girl in Red with a Parasol - Max Pechstein
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1909 portrait by German Expressionist Max Pechstein, featuring bold colours and a simplified, direct style.
Max Pechstein, a founding member of the Die Brücke group, produced this portrait in 1909. The work displays the characteristic traits of early German Expressionism, where the artist prioritises emotional impact over naturalistic representation. The subject sits at a table, framed by a large, open parasol that dominates the upper portion of the composition. Pechstein employs a bold, non-naturalistic colour palette, using saturated reds and yellows to create a sense of immediate visual tension.
The brushwork is direct and unrefined, reflecting the group's interest in raw, spontaneous expression. The figure is rendered with simplified forms, and the background is treated with a decorative, almost stippled application of paint that flattens the pictorial space. This approach rejects the traditional academic focus on depth and perspective, opting instead for a surface-oriented arrangement that emphasises the physical presence of the paint itself.
The parasol acts as a structural device, creating a halo-like effect around the sitter's head. The contrast between the warm tones of the clothing and the parasol against the cooler, more muted tones of the table and the sitter's skirt provides a balance to the composition. Pechstein's work from this period often explored the intersection of urban life and personal identity, capturing subjects with a sense of directness that was intended to provoke a visceral reaction from the viewer. This print captures the texture and colour relationships of the original oil painting, offering a clear view of the artist's early stylistic choices during his time with the Die Brücke collective in Berlin.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Girl in Red with a Parasol - Max Pechstein
Artist Biography
Max Pechstein
He was born in Zwickau in 1881 and apprenticed as a decorator from 1896 to 1900 before studying at the Dresden art school. Erich Heckel invited him to join Die Brucke in 1906. Contact with Matisse pushed his palette toward jarring, unmixed colour, but his compositions retained a warmth and legibility that made them easier to sell than the work of his peers.
At the outbreak of the First World War he was interned in Japan and returned to Germany via Shanghai, Manila and New York. He saw action at the Somme and suffered a nervous breakdown. In 1918 he co-founded the Novembergruppe, a left-wing artists' group that demanded artist involvement in postwar social policy.
The Nazis classified his work as degenerate. Over three hundred paintings were seized from German museums. He was banned from exhibiting and dismissed from the Prussian Academy. He produced 421 lithographs, 315 woodcuts and linocuts, and 165 etchings over his career, making him one of the most prolific printmakers of the Expressionist generation. After the war he was rehabilitated, given a professorship in Berlin and elected to the Academy of Arts. He died in Berlin in 1955, at seventy-three.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like