Family Portrait, Minerva, Amilcare and Asdrubale Anguissola - Sofonisba Anguissola

Sale price£28.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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A Renaissance portrait by Sofonisba Anguissola depicting her father and siblings in a domestic setting, noted for its naturalism and psychological depth.

This portrait by Sofonisba Anguissola captures a domestic moment within the artist's own family. The composition features her father, Amilcare, seated beside her younger siblings, Minerva and Asdrubale. Anguissola, a pioneer among female painters of the Italian Renaissance, demonstrates her skill in rendering the psychological connection between family members. The figures are positioned with a naturalism that departs from the rigid formality often found in sixteenth-century portraiture. The young Asdrubale stands in the foreground, his gaze directed upward toward his father. He wears a fitted doublet and hose, typical of the period, while a small dog sits patiently at his side. The inclusion of the pet adds a layer of informality to the scene, suggesting a comfortable, private setting rather than a public display of status. The background reveals a glimpse of a landscape, a common device in Renaissance portraiture to provide depth and context to the subjects. Anguissola uses a balanced palette, allowing the warm tones of the boy's clothing to contrast with the darker, more muted attire of the father. Her brushwork is precise, capturing the textures of the fabric and the soft features of the children. This work provides insight into the domestic life of a Cremonese noble family during the mid-sixteenth century. It reflects the artist's ability to observe and record human interaction with sensitivity. By focusing on the interplay between the figures, Anguissola creates a narrative that feels immediate and personal. This print captures the fine details of the original oil painting, preserving the nuances of the artist's technique and the character of the subjects.

Crafted for a Lifetime

  • Premium materials

    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

  • Museum-grade prints

    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

  • Crafted in the UK

    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

  • Ready to hang

    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

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The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk
Sofonisba Anguissola

Sofonisba Anguissola

the first woman painter of international fame, whose childhood drawings were reviewed by Michelangelo and whose conversation Van Dyck recorded at ninety