F.M.E. 5 - Josef Albers
Archival giclée
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Description
A geometric abstract print by Josef Albers, 'F.M.E. 5' features interconnected box-like shapes delineated by thin white lines against a black background, creating an illusion of three-dimensional forms.
Josef Albers (1888-1976) was a German-born artist and educator whose work, both in Europe and the United States, greatly influenced the development of twentieth-century modernism. Albers is perhaps best known for his abstract paintings and colour theory. He explored the interaction of colours and geometric forms, often in series that investigated the relativity and instability of visual perception. His work is characterised by its precise execution and systematic approach. He taught at the Bauhaus and Black Mountain College. His theories on colour and form had a considerable impact on subsequent generations of artists. 'F.M.E. 5' presents a composition of geometric forms rendered in stark contrast. The artwork features a black background upon which a series of interconnected, box-like shapes are delineated by thin white lines. These lines create the illusion of three-dimensional forms, with the boxes appearing to overlap and interlock in a visually intriguing manner. The stark contrast between the black background and the white lines enhances the geometric shapes, giving the artwork a sense of depth and complexity.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
F.M.E. 5 - Josef Albers
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Josef Albers
He was born in 1888 in Bottrop, Westphalia, into a Roman Catholic craftsman's family. He worked as a schoolteacher for five years before deciding to study art, joining the Bauhaus as a student in 1920 and becoming a faculty member by 1922. He married Anni Fleischmann, a Bauhaus textile student, in 1925.
At Black Mountain, his students included Robert Rauschenberg, Cy Twombly, Ruth Asawa, and Ray Johnson. He left in 1950 to head the Department of Design at Yale, where he taught until retirement in 1958. The teaching produced Interaction of Color (1963), a text arguing that colour can only be understood in context, never in isolation. It remains a standard reference.
The Homage to the Square series occupied the rest of his life: nested squares of colour, painted obsessively, with every pigment and proportion meticulously recorded. The paintings look simple. The colour relationships within them are not. He died in 1976.
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