A woodblock print by Utagawa Hiroshige depicting the Koganei Bridge during sunset. Part of the Eight Views of the Environs of Edo series, it features cherry blossoms and Mount Fuji.

Hiroshige produced this woodblock print as part of his Eight Views of the Environs of Edo series during the late 1830s. The series adapts a classical Chinese poetic theme to the outskirts of the Tokugawa capital. This specific plate depicts the Koganei Bridge, a site known for its cherry blossoms along the Tamagawa Aqueduct. The Tamagawa Aqueduct was a primary water source for Edo, and the planting of cherry trees along its banks was a deliberate effort to stabilise the soil and provide a recreational space for city dwellers. Hiroshige captures this social aspect by including various figures engaged in travel and leisure. The composition features a wooden bridge spanning the water in the lower left. Figures move across the path, including a traveller on horseback and pedestrians in traditional dress. To the left, thatched-roof houses sit behind a fence. The banks of the canal are lined with cherry trees in full bloom, their white blossoms contrasting with the dark trunks. In the distance, the symmetrical cone of Mount Fuji rises above the horizon. Hiroshige used the bokashi technique to create the horizontal bands of colour in the sky, transitioning from a pale orange at the horizon to a deep blue at the top. This method suggests the fading light of dusk. The water also shows a graded blue tone, providing a sense of depth to the canal. The Eight Views of the Environs of Edo (Edo kinkō hakkei no uchi) was commissioned by a poetry club, which explains the prominent placement of the kyōka (comic poem) on the page. The collaboration between the artist and the poets was a common feature of ukiyo-e production. The technical execution of the print required multiple woodblocks, one for each colour, with precise registration to ensure the lines and tones aligned correctly. The blue pigment used is likely Prussian blue, which became widely available in Japan during the 1830s and transformed the palette of landscape prints.