A geometric composition by Sol LeWitt featuring radiating bands of colour that converge from the corners of the frame.

Sol LeWitt is widely recognised for his systematic approach to art, where the concept or plan is the primary element of the work. In this piece, the artist employs a rigorous geometric structure, originating from the corners of the square format. The composition is defined by radiating bands of colour that converge at a single point, creating a sense of directional movement across the surface. LeWitt often utilised a restricted palette and clear, logical rules to determine the placement of colour. By removing the subjective gesture of the artist, he allowed the mathematical arrangement to dictate the visual outcome. The application of gouache provides a matte, uniform finish, which emphasises the flatness of the picture plane. This approach avoids traditional perspective, focusing instead on the relationship between the shapes and the boundaries of the frame. This work is representative of LeWitt's later explorations into colour and form, moving away from his earlier monochromatic wall drawings. The interaction between the angular segments creates a rhythmic quality, as the eye follows the lines from the corner towards the opposite edges. The work functions as a study in spatial division, where the colour choices serve to differentiate the segments while maintaining a cohesive whole. It is a direct expression of the artist's interest in systems, logic, and the physical manifestation of a predetermined idea.