Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A seventeenth-century oil painting by Frans Jansz. Post depicting the village of Igaraçú in Brazil, featuring the Church of Saints Cosmas and Damian.
Frans Jansz. Post was a Dutch painter who travelled to Brazil in 1637 as part of the expedition led by Johan Maurits van Nassau-Siegen. During his time in South America, he produced a series of works documenting the geography, flora, and colonial settlements of the region. This painting depicts the village of Igaraçú, featuring the Church of Saints Cosmas and Damian on the left side of the composition.
The work displays the characteristic approach of Post, who combined European painting techniques with the specific light and terrain of the Brazilian coast. The composition is balanced, with a low horizon line that allows for an expansive sky, a common feature in Dutch painting of the seventeenth century. The foreground is populated by small figures engaged in daily activities, providing a sense of scale and human presence within the colonial environment. The foliage is rendered with a focus on the specific forms of tropical vegetation, which Post observed first-hand during his residency.
Unlike many of his contemporaries who painted imaginary scenes, Post relied on sketches made on-site to construct his compositions. This painting reflects the transition from his earlier, more immediate observations to the more structured, studio-based works he produced after returning to the Netherlands. The palette is dominated by earthy tones in the foreground, contrasting with the lighter, atmospheric blues of the sky and distant horizon. The church, a clear reference to the Portuguese colonial influence in the area, acts as a structural anchor for the scene. The work remains a significant record of the colonial encounter in Brazil, documenting the architectural and environmental conditions of the period through a European lens.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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