Avenue of Chestnut Trees near La Celle Saint Cloud - Alfred Sisley
Archival giclée
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Description
This landscape by Alfred Sisley depicts a tree-lined avenue near La Celle Saint Cloud, rendered in soft brushstrokes and subtle colours typical of the Impressionist style.
Alfred Sisley, a British Impressionist painter, captured the transient effects of light and atmosphere in his landscapes. Although he lived and worked in France, he retained his British citizenship throughout his life. Sisley's Impressionist style is characterised by soft brushwork and a focus on natural light. He often depicted scenes of the French countryside, particularly the areas around Paris. His work is less concerned with social commentary than that of some of his Impressionist contemporaries; instead, he focused on the pure depiction of nature. In "Avenue of Chestnut Trees near La Celle Saint Cloud", Sisley presents a view of a tree-lined avenue. The composition is divided into horizontal bands of sky, trees, and ground. The sky is rendered in soft blues and whites, suggesting a hazy atmosphere. The trees are painted with loose, broken brushstrokes, capturing the texture of the foliage. The ground is a mix of greens and browns, with touches of yellow suggesting sunlight. The overall effect is one of tranquility and natural beauty. The painting exemplifies Sisley's ability to capture the subtle nuances of light and atmosphere in the French countryside.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Avenue of Chestnut Trees near La Celle Saint Cloud - Alfred Sisley
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Alfred Sisley
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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