A detailed etching by Cornelis Visscher depicting the collector Andrea di Odoni, surrounded by classical sculptures, after the original painting by Lorenzo Lotto.

This print by Cornelis Visscher is a reproduction of the famous portrait of the Venetian collector Andrea di Odoni, originally painted by Lorenzo Lotto in 1527. Visscher, a skilled Dutch printmaker, demonstrates his technical mastery through the use of varied line weights and cross-hatching to translate the tonal qualities of the original oil painting into a monochrome medium.

The composition depicts Odoni seated behind a table, surrounded by fragments of classical sculpture. His hand rests upon a small statuette, while his gaze is directed toward the viewer. The inclusion of these antiquities serves to identify the subject as a man of learning and a collector of art. Visscher captures the texture of the fur-lined garment and the subtle modelling of the human form with precision. The background is filled with various sculptural pieces, including a torso and a head, which create a sense of depth and scholarly atmosphere.

As a printmaker, Visscher was known for his ability to replicate the character of different surfaces, from the smooth marble of the statues to the soft fabric of the sitter's clothing. This work reflects the seventeenth-century interest in reproducing Renaissance masterpieces for a wider audience of collectors and connoisseurs. The print remains a fine example of the reproductive printmaking tradition, where the engraver acts as an interpreter of the original painter's vision. The balance between the central figure and the surrounding objects is maintained through careful attention to light and shadow, ensuring that the subject remains the focus despite the density of the surrounding details.