Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A haunting lithograph from Odilon Redon's 1899 Apocalypse series, depicting a celestial event through the artist's signature dreamlike, monochromatic style.
This lithograph is part of the Apocalypse de Saint-Jean series, a collection of twelve prints produced by Odilon Redon in 1899. The work interprets the biblical text from the Book of Revelation, specifically the third angel sounding the trumpet. Redon, a master of the lithographic medium, uses the deep, velvety blacks characteristic of his noir period to create a sense of cosmic dread and otherworldly phenomena. The composition features a central, radiating light source that dominates the frame, contrasting sharply with the surrounding darkness. Figures, rendered with a ghostly, ethereal quality, appear to witness the descent of the star. Redon avoids literal representation, opting instead for a dreamlike, psychological interpretation of the text. His technique involves a sophisticated manipulation of light and shadow, where the white of the paper is allowed to emerge from the dense, textured ink to define form and energy. Redon was associated with the Symbolist movement, which prioritised the expression of ideas and emotions over the objective depiction of the physical world. This print demonstrates his ability to transform biblical narrative into a personal, visionary experience. The figures possess a strange, insect-like anatomy, a recurring motif in his work that suggests a bridge between the biological and the supernatural. By focusing on the atmospheric and the uncanny, Redon invites the viewer to engage with the image as a subjective meditation on the nature of light, destruction, and the divine. The print remains a compelling example of late nineteenth-century graphic art, showcasing the technical precision and imaginative depth that defined Redon's career.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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