Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A haunting lithograph by Symbolist artist Odilon Redon, depicting an angel with a censer through a masterful use of light and shadow.
This lithograph by Odilon Redon, titled 'And the angel took the censer', belongs to the artist's later period, specifically from his series inspired by the Apocalypse of Saint John. Redon, a central figure in the Symbolist movement, moved away from the objective representation of the physical world to explore the internal realms of dreams, memory, and the subconscious. His work often features ambiguous, ethereal figures that occupy a space between reality and hallucination. The composition is defined by a stark contrast between light and shadow. The angel, rendered with delicate, soft lines, stands in a state of quiet contemplation. Her form is partially obscured by a dense, dark mass of shadow that occupies the left side of the frame, creating a sense of mystery and weight. This shadow acts as a counterpoint to the luminous, almost translucent quality of the angel's wings and robes. The censer held by the figure provides a small, precise detail that anchors the scene, drawing the eye toward the bottom centre of the print. Redon's mastery of the lithographic medium is evident in the varied textures he achieves. He uses the grain of the stone to create atmospheric effects, allowing the light to appear as if it is emanating from within the paper itself. The figure's expression is serene, detached from the dramatic implications of the biblical text from which the title is drawn. By focusing on the psychological presence of the angel rather than the narrative action, Redon invites the viewer to engage with the image on a contemplative level. This print demonstrates his ability to transform simple charcoal-like marks into a vision that feels both ancient and otherworldly, maintaining a balance between the tangible and the imagined.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
working exclusively in black for twenty years (floating eyeballs, severed heads, plants with teeth), then switching to colour so completely the Surrealists and the Fauves claimed different halves
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