An 1838 wood engraving by Isaac Weissenbruch depicting an allegorical figure rejecting alcohol to promote health, peace, and prosperity.

This wood engraving, produced for the Prenten-Magazijn in 1838, functions as a visual component of the Dutch temperance movement. The composition features a classical female figure standing atop a plinth inscribed with the words 'Afschaffing van Sterke Dranken' (Abolition of Strong Spirits). She holds a scroll bearing the message 'Gezondheid, Vrede, Welvaart' (Health, Peace, Prosperity) while simultaneously pouring the contents of a bottle onto the ground. This act serves as a clear visual metaphor for the rejection of alcohol in favour of societal well-being.

The print is framed by a decorative border typical of nineteenth-century periodical illustrations. Below the image, a poem provides further moral instruction, referencing biblical text to reinforce the temperance message. The artist, Isaac Weissenbruch, employs a clean, linear style that prioritises clarity and didactic purpose over atmospheric depth. The figure is rendered with simple, elegant drapery, reflecting the neoclassical influence common in Dutch graphic arts of the period.

As a historical document, this work offers insight into the social concerns of the 1830s in the Netherlands. The temperance movement sought to address the perceived moral and physical degradation caused by the consumption of spirits. By combining text and image, the Prenten-Magazijn aimed to reach a broad audience, using accessible symbolism to promote a specific lifestyle. The print remains a record of the intersection between public health advocacy and the popular press in the nineteenth century. Its preservation allows for an examination of how moral reform was communicated through visual media during this era.