A 1543 engraving by German artist Sebald Beham depicting the expulsion of Adam and Eve from Paradise, rendered with technical precision.

This engraving by Sebald Beham, dated 1543, depicts the expulsion of Adam and Eve from the Garden of Eden. As a member of the group known as the Little Masters, Beham produced small-scale prints that demonstrate technical precision and a mastery of the burin. The composition features an angel, positioned on the left, wielding a sword to usher the figures out of the divine realm. Adam and Eve are shown in motion, their bodies rendered with anatomical focus typical of the period. The background is minimal, relying on cloud-like forms to suggest the celestial boundary between Paradise and the mortal world.

Beham employs fine hatching and cross-hatching to create volume and shadow across the figures. The inclusion of a small cherubic head in the lower right corner adds a secondary narrative element, observing the departure. The artist's monogram, ISB, is clearly visible in the lower left, alongside the date. This work reflects the interest in biblical themes that occupied many German printmakers during the sixteenth century. The scale of the engraving encourages close inspection, allowing the viewer to appreciate the control Beham exerted over the copper plate. The figures possess a sense of physical weight, despite the ethereal nature of the clouds surrounding them. This print is a representative example of the graphic output from the Nuremberg school, which was highly influential in the dissemination of Renaissance iconography throughout Europe. The clarity of the line work and the balanced arrangement of the figures demonstrate the high level of craftsmanship expected of professional printmakers in this era.