A detailed 1577 engraving by Johannes Wierix depicting the evacuation of the citadel of Antwerp, framed by allegorical figures and historical text.

This engraving by Johannes Wierix documents a specific historical event during the Eighty Years' War: the departure of Spanish troops from the citadel of Antwerp on 23 August 1577. The composition is structured as a circular medallion, a common format for allegorical prints of the period, framed by elaborate architectural and symbolic elements.

At the centre, the scene depicts the evacuation of the citadel, with figures moving away from the fortifications. The surrounding frame features two female personifications at the top: Diligentia, holding a compass and a beehive, and Libertas, holding a key and a bird. These figures provide a moralising context for the political event below. The lower section contains a bilingual text in French and Dutch, which serves to explain the significance of the departure and the relief felt by the local population.

Wierix demonstrates his technical skill through the precise line work used to define the architectural details of the citadel and the varied textures of the clothing worn by the figures. The engraving functions as a visual record of a moment of political transition, blending reportage with the symbolic language typical of sixteenth-century Flemish printmaking. The use of the circular frame allows the artist to focus the viewer's attention on the narrative action while the surrounding decorative border provides a sense of order and permanence to the transient event. This print is a valuable example of how historical narratives were disseminated through the medium of engraving in the Low Countries during the late sixteenth century, capturing both the physical reality of the site and the ideological climate of the era.