A striking contemporary portrait by Sedrick Huckaby, featuring expressive line work and a personal narrative element from his 99% series.

This work is part of Sedrick Huckaby's 99% series, a collection of portraits that document individuals from his local community in Fort Worth, Texas. The artist employs a gestural, expressive drawing style that prioritises the tactile quality of the medium. The figure, Jashmone, is depicted seated in a simple chair, her posture relaxed yet present. Huckaby uses layered, energetic lines to build form, allowing the construction of the figure to remain visible to the viewer. This approach creates a sense of immediacy, as if the drawing captures a fleeting moment of quiet observation.

The composition is vertical and narrow, focusing the viewer's attention entirely on the subject. The inclusion of handwritten text at the bottom of the print provides a narrative layer, grounding the portrait in the specific lived experience of the sitter. By incorporating the subject's own words, Huckaby bridges the gap between the visual representation and the individual's personal history. The monochromatic palette emphasises the texture of the marks, from the dense shading in the clothing to the lighter, more tentative strokes defining the facial features.

Huckaby's practice is rooted in the tradition of figurative painting and drawing, yet he adapts these methods to address contemporary social themes. His work avoids idealisation, choosing instead to present his subjects with honesty and directness. The print reflects his interest in the dignity of everyday life and the importance of local narratives. Through his focus on the human form, he invites a closer look at the people who constitute the fabric of his community. This piece is a clear example of his ability to combine technical skill with a deep sense of empathy for his subjects, resulting in a portrait that feels both personal and universal.