



Maxfield Parrish
Parrish's real name was Frederick. He adopted Maxfield, his grandmother's maiden name, as a professional name because it sounded better. His father, Stephen Parrish, was a landscape etcher who took the boy travelling through Europe at ten, sketching together in the manner of a Victorian gentleman educating his heir. The drawing lessons started before school did.

Biography
He called himself a mechanic who paints. Beneath his studio he built a workshop filled with machines, and used them to construct model scenes, props and lighting rigs for his paintings. The process was closer to set design than to plein air. He would build a miniature landscape, light it from specific angles, photograph it, then paint from the photograph using a layering technique borrowed from the Old Masters: thin coats of transparent oil glaze over a plaster base, each layer drying before the next, so the under-colours shone through. The method eliminated visible brushstrokes and produced a luminosity that looked like stained glass.
Daybreak, painted in 1922, became the most reproduced art print of the twentieth century. It outsold Warhol's Campbell's Soup Cans and Da Vinci's Last Supper in print form. By the mid-1920s it was estimated that one in four American households had a Parrish print on the wall. The image appeared in Terrence Malick's Badlands and inspired the poster for The Princess Bride. For three models he used his own daughter Jean, Kitty Owen (granddaughter of William Jennings Bryan), and his young nanny Susan Lewin.
In 1900, tuberculosis followed by a nervous breakdown forced him to stop working. The recovery period changed his technique: it was during this convalescence that he developed the glazing method that defined the rest of his career. He lived to ninety-five, painting until the last few years.
Timeline
- 1870Born Frederick Parrish in Philadelphia to the painter and etcher Stephen Parrish. He later adopted Maxfield, his paternal grandmother's maiden name, as his professional identity.
- 1884At 14, travelled to Europe with his parents for two years, touring England, Italy, and France. Exposure to old master paintings and architecture left a lasting mark on his visual imagination.
- 1892At 22, abandoned architecture studies at Haverford College in Pennsylvania and enrolled at the Pennsylvania Academy of the Fine Arts. He also attended Howard Pyle's illustration classes at the Drexel Institute in Philadelphia.
- 1898At 28, moved permanently to Plainfield, New Hampshire, where he designed and built his home and studio, The Oaks. He lived and worked there for the remaining 68 years of his life.
- 1922At 52, completed Daybreak in Plainfield, a luminous scene of two figures at dawn that became the most reproduced art print of the twentieth century, outselling even reproductions of the Mona Lisa.
- 1931At 61, publicly announced in Plainfield that he was abandoning fantasy illustration to focus exclusively on landscape painting. By this time he was the highest-paid commercial artist in America.
- 1960At 90, put down his brushes in Plainfield after arthritis made painting impossible. He had remained productive into his late eighties, a career spanning nearly seven decades.
- 1966Died at 95 in Plainfield, New Hampshire. A renewed appreciation of his work had already begun in the 1960s, reclaiming his reputation after decades of critical neglect.
Notable Works
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Maxfield Parrish prints
Hand-finished archival prints from Maxfield Parrish's body of work.
The Lantern Bearers - Maxfield Parrish
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Solitude - Maxfield Parrish
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Garden of Allah - Maxfield Parrish
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The Knave of Hearts - Maxfield Parrish
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Grand Canyon - Maxfield Parrish
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Cardinal Archbishop Sat on His Shaded Balcony - Maxfield Parrish
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See all Maxfield Parrish prints →Frequently Asked Questions
How did maxfield parrish paint?
Parrish constructed model scenes, props, and lighting rigs for his paintings. He would build a miniature landscape, light it from specific angles, photograph it, then paint from the photograph. He used a layering technique borrowed from the Old Masters: thin coats of transparent oil glaze over a plaster base, each layer drying before the next, so the under-colours shone through.Is maxfield parrish public domain?
According to one source, he made no effort to protect his copyrights, so his work became public domain. This happened as soon as people could use a Photostat camera.Maxfield parrish most famous work?
Daybreak, painted in 1922, became the most reproduced art print of the twentieth century. It outsold Warhol's Campbell's Soup Cans and Da Vinci's Last Supper in print form.What is Maxfield Parrish's most famous work?
Maxfield Parrish is most associated with his painting *Daybreak*, completed in 1922. This artwork is a prime illustration of Parrish's distinctive style, characterised by its use of "Parrish blue", a specific cobalt hue, and his glazing technique that created luminous effects. *Daybreak* presents a classical composition featuring two young women in a serene, stylised setting. The figures are posed against a backdrop of mountains, water, and classically inspired architecture. The painting became widely popular through mass reproduction, securing Parrish's reputation. Although Parrish created many other notable works, including illustrations for books and magazines, plus commercial art for companies like General Electric, *Daybreak* remains his most recognisable piece. Its widespread distribution cemented its place in the popular imagination. It has become an iconic image of early 20th-century American art, appreciated for its utopian vision and technical skill. Parrish's meticulous approach and unique colour palette contributed to the picture's appeal, making it a favourite among art lovers and the general public alike.What should I know about Maxfield Parrish's prints?
When considering Maxfield Parrish's prints, it is useful to understand some basics of the print market. Prints fall into two general categories: fine art and decorative. Fine art prints are often sold in limited editions, with each print numbered and signed by the artist. For example, a print marked 35/100 indicates it is the 35th print out of a total edition of 100. Artists may also create a small number of artist's proofs, marked AP. The value of a print depends on several factors, including the artist's reputation, the image's popularity, and the quality of materials used. Limited editions usually command higher prices than posters, as the number of prints is restricted. Some publishers limit the number of impressions to increase a print's value, with limits ranging from 250 to 1,000. When purchasing prints, bear in mind that edition claims are subject to trade description legislation; any claims made should be truthful. The print number and edition number are typically written on the bottom left margin of the print, the title in the middle, and the signature on the right, always in pencil.What style or movement did Maxfield Parrish belong to?
Maxfield Parrish's work can be loosely associated with Symbolism, an artistic and literary movement that gained traction in the late 19th century. Symbolism moved away from naturalism, anti-realism and Impressionism. It prioritised the expression of ideas and emotions through symbolic imagery. Symbolism in fine art reflected the literary-intellectual movement of the time. Symbolist painters, who varied greatly in creative style, were influenced by earlier visionaries, such as Goya, Blake, and Füssli, as well as German Romanticism and the Pre-Raphaelite Brotherhood. The broader Symbolist movement also encompassed Art Nouveau (France), Jugendstil (Germany), and Modern (Russia). These styles were characterised by decorative elements and were prominent in graphics, posters, and stained glass. While Symbolism may have influenced some major masters, it did not always define their entire body of work.What techniques or materials did Maxfield Parrish use?
Maxfield Parrish is known for a distinctive style achieved through specific materials and methods. He built up luminous colour effects using oil glazes. This involved applying thin, transparent layers of paint, one over another, to create depth and luminosity. Parrish prepared his panels with gesso, a white coating that provided a smooth, reflective surface. He then underpainted in monochrome, establishing the composition and modelling before adding colour. Photographic techniques also played a role in his process. Parrish used photographs as reference material and sometimes projected images directly onto his canvases, aiding in precise drawing and composition. His glazing technique involved applying many layers of varnish between each coat of colour. This laborious process contributed to the smooth, almost enamel-like finish of his paintings. The combination of glazing, gesso preparation, and photographic reference allowed Parrish to create highly detailed and idealised images, with a characteristic otherworldly glow.What was Maxfield Parrish known for?
Maxfield Parrish is associated with Symbolism, an artistic and literary movement that gained traction in the late 19th century. Symbolism can be seen as a reaction against Naturalism, Realism, and Impressionism, prioritising subjective experience and emotion. Symbolist artists often drew inspiration from literature and explored themes of mystery, the otherworldly, and the expression of human emotions. Symbolism manifested differently across Europe. Some artists connected their work to the ideas, symbols, and figurative patterns of literary Symbolism. In Germany, they were called ‘late romantics’; Arnold Böcklin, Hans von Marees, Hans Thoma, and Franz von Stuck. Other symbolist painters include Fernand Khnopff (Belgium), Edvard Munch (Norway), Mikhail Vrubel (Russia) and Ferdinand Hodler (Switzerland). The decorative styles of Aubrey Beardsley, Gustav Klimt, Alfons Mucha, and Eugène Grasset expressed this style in graphics, posters and stained glass. Symbolism also touched some major masters, such as Auguste Rodin.When did maxfield parrish die?
Maxfield Parrish died in 1966 at the age of 96.When did Maxfield Parrish live and work?
Maxfield Parrish (1870-1966) was an American painter and illustrator. He is known for his distinctive saturated hues and classical imagery. Born in Philadelphia, Pennsylvania, Parrish's given name was Frederick Parrish; he adopted "Maxfield" from his paternal grandmother's maiden name. His artistic education began at Haverford College, then continued at the Pennsylvania Academy of the Fine Arts (1892-1894), where he studied with Robert Vonnoh and Thomas Pollock Anshutz. Later, he studied with Howard Pyle at Drexel Institute. Parrish began his career as an illustrator in the 1890s, creating covers and illustrations for magazines such as *Harper's Weekly*, *Scribner's Magazine*, and *Collier's*. He gained widespread recognition for his advertising work, including commissions for companies like Jell-O and Edison Mazda Lamps. In the early 20th century, Parrish moved to Plainfield, New Hampshire. There, he established a studio called "The Oaks". He lived and worked there until his death at the age of 95. Parrish's paintings and prints achieved considerable commercial success during his lifetime, and continue to be popular.Where can i see maxfield parrish paintings?
Maxfield Parrish's works can be seen at Poster Section, Brandywine Museum of Art, Detroit Institute of Arts, and 2 other museums worldwide.Where can I see Maxfield Parrish's work?
You can find Maxfield Parrish's work in several museums. In the United States, these include the Charles Hosmer Morse Museum of American Art (Winter Park, Florida), the Los Angeles County Museum of Art (Los Angeles), the Metropolitan Museum of Art (New York), the Minneapolis Institute of Arts, the Museum of Modern Art (New York), the Virginia Museum of Fine Arts (Richmond), the Wolfsonian at Florida International University (Miami Beach), and the Yale University Art Gallery (New Haven, CT). Also consider the National Gallery of Art (Washington, D.C.). In Canada, Parrish's art can be viewed at the Royal Ontario Museum in Toronto. In the United Kingdom, visit the Bakelite Museum (Williton), the Brighton Museum & Art Gallery, the Geffrye Museum (London), the Manchester Art Gallery, the National Museums of Scotland Royal Museum (Edinburgh), and the Victoria & Albert Museum (London).
Sources
Editorial draws on the following primary and tertiary references for Maxfield Parrish.
- [1] book Susie Hodge, Artists and Their Pets Used for: biography.
- [2] book Mark Rothko;Christopher Rothko;, The Artist's Reality Used for: biography.
Editorial overseen by Solis Prints. Sources verified 2026-07-02. Click a source for details, or hover over [N] in the page above to preview.
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