Silvestre used etching to capture the scale of 17th-century urban development. He focused on perspective and topographical accuracy in every plate. His prints often include small figures engaged in daily activities. These characters provide a sense of scale against the stone facades of palaces and churches. He avoided the heavy ornamentation common in Baroque art. He preferred clean lines and clear spatial arrangements that favoured architectural clarity.

Collectors value these prints for their historical precision. They show a Paris transitioning from a medieval city to a classical capital. The views of the Luxembourg Palace or the Tuileries Gardens function as both art and maps. They suit modern interiors because of their monochromatic palette and structured compositions. These etchings bring a sense of order to a room without the need for bold colours.