His style combines Florentine draughtsmanship with an interest in naturalism. Works such as Rearing Horse and Rider or The Defeat of the Ethiopians show his ability to manage crowded scenes. He used etching to create fine lines that suggest rapid motion. This technique allowed him to capture the energy of a cavalry charge or the physical tension in Cain Killing Abel. He often worked on a small scale, yet his compositions feel expansive.

Modern collectors value the graphic clarity and historical drama found in these works. The monochromatic nature of his etchings makes them suitable for contemporary interiors. These prints offer a direct connection to the late Renaissance imagination without being overly decorative. They provide a sense of history and motion that remains legible on a gallery wall.