Collection
Henry Fuseli
Explore curated art prints selected for distinctive homes and considered interiors.
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The Debutante - Henry Fuseli
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The Death of Oedipus - Henry Fuseli
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The Nightmare - Henry Fuseli
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Friar Puck - Henry Fuseli
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Prospero - Henry Fuseli
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Titania and Bottom - Henry Fuseli
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A Scene from 'The Wife of Bath's Tale' - Henry Fuseli
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The Shepherd's Dream, from 'Paradise Lost' - Henry Fuseli
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Lady Macbeth Seizing the Daggers - Henry Fuseli
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Henry V Discovering the Conspirators - Henry Fuseli
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Macbeth, Banquo and the Witches - Henry Fuseli
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The Apotheosis of Penelope Boothby - Henry Fuseli
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Milton When a Boy Instructed by His Mother - Henry Fuseli
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The Assassination - Henry Fuseli
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The Night-Hag Visiting Lapland Witches - Henry Fuseli
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Artist Biography
Henry Fuseli
Fuseli reportedly ate raw pork chops before bed to induce nightmares for painting inspiration. The story may be apocryphal, but The Nightmare (1781), which shows a woman draped unconscious over a bed with an incubus squatting on her chest and a horse's head emerging from the darkness, suggests the method, if it existed, worked.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
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