A detailed watercolour study documenting traditional Minahasan stone sarcophagi, known as waruga, in North Sulawesi by Dutch artist Adrianus Johannes Bik.

This watercolour study by Adrianus Johannes Bik documents the waruga, traditional stone sarcophagi found in the Minahasa region of North Sulawesi. Bik, a Dutch official and amateur artist, produced these records during his travels through the Indonesian archipelago in the early nineteenth century. The work captures seven distinct funerary structures, each exhibiting unique architectural features and carved motifs.

The artist employs a precise, observational style, typical of colonial-era documentation. Each sarcophagus is rendered with attention to its specific form, ranging from house-like structures with gabled roofs to more compact, block-shaped vessels. The inclusion of a parasol and ritual items alongside one of the sarcophagi provides context regarding the cultural practices associated with these burial sites. The muted palette, dominated by earthy tones and sepia washes, reflects the medium of watercolour on tinted paper, which was a common choice for field sketches of the period.

Bik’s work functions as a visual archive of Minahasan funerary traditions. By isolating these objects against a neutral background, he allows for a clear examination of their sculptural details, such as the anthropomorphic figures and geometric patterns etched into the stone. The composition is organised in a grid-like arrangement, prioritising clarity and comparative study over atmospheric effect. This piece offers a glimpse into the intersection of colonial exploration and the documentation of indigenous material culture in the Dutch East Indies. The technical execution demonstrates a disciplined approach to line and shadow, ensuring that the structural integrity of the stone monuments remains the primary focus for the viewer.