A formal group portrait by Ferdinand Bol from 1657, depicting the regents and beadle of an Amsterdam charitable institution.

This group portrait by Ferdinand Bol depicts the six regents and the beadle of the Nieuwezijds Huiszittenhuis, a charitable institution in Amsterdam responsible for distributing food and fuel to the city's impoverished residents. Commissioned in 1657, the work adheres to the conventions of Dutch civic portraiture, where the subjects are arranged to convey both individual status and collective authority. Bol, a former pupil of Rembrandt, employs a controlled palette dominated by black garments, white collars, and the muted tones of the interior setting. The contrast between the dark clothing and the pale skin tones creates a sense of physical presence for each figure.

The composition is structured around a table covered with a patterned cloth, which serves as a central anchor for the group. The figures are positioned with varying degrees of engagement, some looking directly at the viewer while others interact with their colleagues or the documents before them. The beadle, positioned slightly apart, provides a narrative counterpoint to the regents. Bol uses light to model the faces and hands, directing the viewer's attention across the canvas. The painting reflects the social structure of seventeenth-century Amsterdam, where civic duty and charitable oversight were central to the responsibilities of the merchant class. The technical execution shows the influence of Bol's training, particularly in the handling of light and the psychological characterisation of the sitters. This work remains a representative example of the formal portraiture commissioned by charitable boards during this period, documenting the individuals who managed the city's welfare systems.