Yacht - André Derain
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic Fauvist work by André Derain, capturing a Mediterranean harbour scene with bold, non-naturalistic colours and simplified forms.
André Derain painted this work during his formative period in Collioure, a small port town in the south of France. During the summer of 1905, he worked alongside Henri Matisse, developing the bold approach to colour and form that would define the Fauvist movement. The painting captures a scene at the harbour, where boats are moored against a wooden jetty.
Derain rejects traditional perspective and naturalistic shading in favour of flat, expressive planes of colour. The water is rendered in rhythmic, staccato brushstrokes of pale green and blue, while the hulls of the boats are defined by strong, simplified shapes in ochre and deep red. The figures on the jetty are reduced to essential forms, their presence suggested rather than detailed. This economy of line and the deliberate choice of non-naturalistic hues reflect the artist's interest in the emotional potential of colour.
By stripping away the academic conventions of the time, Derain focuses on the immediate visual sensation of the Mediterranean light. The composition is balanced through the vertical masts that cut across the horizontal expanse of the sea and the distant, simplified hills. This work is a clear example of the radical shift in European painting at the turn of the twentieth century, where the autonomy of the canvas became more important than the accurate representation of the subject matter. The print captures the raw energy of Derain's original brushwork, preserving the texture and the specific chromatic choices that made his early work so influential to the development of modern art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Yacht - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

