Woman of Cervara and Her Child - William-Adolphe Bouguereau
Archival giclée
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Description
A tender portrayal of motherhood by William-Adolphe Bouguereau, 'Woman of Cervara and Her Child' captures a mother and child in a moment of quiet affection, rendered with delicate realism and soft light.
William-Adolphe Bouguereau's 1859 oil on canvas, titled 'Woman of Cervara and Her Child', presents a tender scene of motherhood. The painting depicts a woman, presumably from the Italian town of Cervara, holding her child. The woman is adorned in traditional attire, including a white blouse, a dark skirt, and a pink headscarf. Her gaze is soft and affectionate as she looks at the child. The child, unclothed, is held securely in the woman's arms, their skin rendered with a delicate realism. Bouguereau's academic style is evident in the smooth brushwork and attention to detail, particularly in the rendering of fabric and skin tones. The composition is simple, focusing on the figures and their interaction, set against a dark, neutral background. The painting exemplifies Bouguereau's skill in portraying sentimental and idealised scenes of everyday life, a style that was popular during his time. Bouguereau's work often drew inspiration from classical and Renaissance art, blending academic technique with sentimental subject matter. His paintings were widely admired for their technical skill and emotional appeal, making him one of the most successful artists of his era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Woman of Cervara and Her Child - William-Adolphe Bouguereau
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
William-Adolphe Bouguereau
At the height of his career he was arguably the most commercially successful painter alive. His large-scale nudes, classical mythological scenes, and religious paintings were technically flawless in a way that impressed collectors and enraged the avant-garde in equal measure. The Impressionists despised him as the embodiment of everything academic painting did wrong: slick, idealised, emotionally vacant. After his death in 1905, the avant-garde buried his reputation for nearly a century.
Three of his children died in infancy. Their mother Nelly died in 1877. His mother made him swear, after Nelly's death, never to remarry while she lived. He honoured the oath. His engagement to his student Elizabeth Jane Gardner lasted seventeen years. They married in 1896, after his mother died at ninety-one. Gardner was herself a notable painter, the first American woman to exhibit at the Paris Salon. His reputation has undergone a reappraisal since the late twentieth century.
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