Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Woman Herding Geese - Jean-François Millet
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A delicate etching by Jean-François Millet depicting a woman tending to geese in a quiet rural setting, characteristic of his focus on peasant life.
This etching by Jean-François Millet captures a quiet moment of rural life, a subject that defined his career. Millet, a central figure of the Barbizon School, focused his attention on the daily activities of peasants, moving away from the grand historical narratives favoured by the French Academy. In this work, the artist employs a sparse, economical line to define the figure of a woman leaning against a tree, her geese gathered nearby in a simple, open field.
The composition is restrained, relying on the interplay between the verticality of the tree and the horizontal expanse of the countryside. Millet avoids unnecessary detail, allowing the viewer to focus on the posture of the woman and the humble nature of her task. The etching technique here is direct, with hatching used sparingly to suggest shadow and form rather than to create a dense, finished image. This approach reflects the artist's interest in the raw, unadorned reality of agricultural labour.
Throughout his career, Millet sought to elevate the status of the peasant in art, treating their existence with a gravity that was often absent in contemporary depictions. By choosing to depict a woman herding geese, he draws attention to the repetitive, quiet rhythms of the countryside. The work provides a clear example of his graphic style, where the economy of the mark serves to convey the essence of the scene. The print is a study in observation, capturing the stillness of a moment in the French provinces during the mid-nineteenth century. It remains a representative example of his printmaking practice, which often mirrored the themes found in his larger oil paintings.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Woman Herding Geese - Jean-François Millet
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Francois Millet
Millet could plough a field in the morning, paint in the afternoon, and recite Shakespeare at night. He was the eldest son of farming parents in Gruchy, Normandy, near the coast, and he said: a peasant I was born, a peasant I will die.
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Artist Biography
Jean-François Millet
Millet could plough a field in the morning, paint in the afternoon, and recite Shakespeare at night. He was the eldest son of farming parents in Gruchy, Normandy, near the coast, and he said: a peasant I was born, a peasant I will die.
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
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