Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Edward Burne-Jones's 'Witch's Tree' is a captivating watercolour from his 'Flower Book', showcasing the artist's symbolic style and delicate rendering. A beautiful fine art print for adding a touch of Pre-Raphaelite elegance to your home.
Sir Edward Burne-Jones, a key figure in the British Aesthetic Movement, created 'Witch's Tree' as part of his 'Flower Book' series. Completed in 1905, after his death, this watercolour embodies the symbolic and romantic ideals prevalent in his work. The circular composition, reminiscent of a medieval illuminated manuscript, depicts two figures amidst a blossoming tree. One figure, draped in flowing brown robes, stands tall, while the other, cloaked in black, sits hunched in the tree's branches, surrounded by delicate white blossoms. The scene evokes a sense of mystery and melancholy, characteristic of Burne-Jones's exploration of Arthurian legends and mythological themes. The muted colour palette and intricate details make this piece a captivating addition to any space. The delicate rendering of the figures and the ethereal quality of the blossoms create a sense of timeless beauty. As a fine art print, 'Witch's Tree' brings a touch of Pre-Raphaelite elegance and symbolic depth to your home, perfect for creating a serene and contemplative atmosphere in a living room, study, or hallway. Its subtle tones and evocative imagery blend seamlessly with various interior styles, adding a layer of sophistication and artistic intrigue.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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