Why Then Opened II - Sam Francis
Archival giclée
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Description
A 1962 abstract oil painting by Sam Francis, featuring fluid, organic forms in blue, yellow, and red against a vast, open white background.
Sam Francis, an American painter associated with the second generation of Abstract Expressionism, produced Why Then Opened II in 1962. This work exemplifies his mature style, characterised by the use of large, open white spaces punctuated by clusters of fluid, organic forms. Francis often allowed paint to drip and pool, creating a sense of movement and spontaneity that contrasts with the expansive, unpainted areas of the canvas.
In this composition, the artist employs a palette dominated by deep blues, interspersed with accents of yellow, red, and green. The forms appear to float or drift across the surface, suggesting a weightless, atmospheric quality. Francis spent significant periods in Paris and Tokyo, and his work frequently reflects an interest in the interplay between light and colour, as well as the spatial concepts found in Eastern aesthetics. Unlike the dense, all-over compositions of some of his contemporaries, Francis maintained a focus on the void, using the white ground as an active participant in the visual experience.
The application of paint varies from thin, translucent washes to thicker, more saturated zones. The drips and splatters are not merely accidental, but are integrated into the overall structure of the piece, providing a sense of temporal progression. By isolating these colourful clusters, Francis directs the viewer's eye across the canvas, encouraging a contemplative engagement with the negative space. This approach creates a balance between the chaotic energy of the paint application and the calm, expansive nature of the background. The work remains a clear example of his exploration of light, colour, and the physical properties of paint on a large scale.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Then Opened II - Sam Francis
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