What's with you, Mimie? The damned colic again? - Paul Gavarni
Archival giclée
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Description
A lithograph by Paul Gavarni, "What's with you, Mimie? The damned colic again?" depicts a scene of domestic unease in 19th-century Paris, capturing the subtle gestures and emotions of its characters.
This lithograph by Paul Gavarni (1804-1866) captures a scene of domestic unease. Gavarni, a French artist known for his satirical and observant depictions of Parisian life, presents a vignette titled "What's with you, Mimie? The damned colic again?" The image shows a young woman, possibly named Mimie, draped in a shawl, her head bowed in what appears to be discomfort or distress. Standing beside her is a man with a concerned expression, his posture suggesting a mixture of worry and exasperation. In the background, faint figures add to the sense of a crowded, perhaps tense, environment. Gavarni's skill in capturing human emotion through subtle gestures and facial expressions is evident. The use of light and shadow enhances the dramatic effect, drawing the viewer's attention to the central figures and their interaction. The lithograph is part of a series titled "Masques et Visages" (Masks and Faces), which explores the various roles people play in society and the emotions they conceal or reveal. The work reflects Gavarni's interest in social commentary and his ability to find humour and pathos in everyday situations. The lithograph offers a glimpse into the social dynamics of 19th-century Paris, inviting viewers to consider the complexities of human relationships and the challenges of domestic life.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
What's with you, Mimie? The damned colic again? - Paul Gavarni
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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