Vue Pres de Sala, dans le Duche de Parme - Daniel Dupré

Sale price£28.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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A detailed pen and wash drawing by Daniel Dupré, capturing a tranquil rural scene with an aqueduct in the Duchy of Parma.

This work by Daniel Dupré depicts a serene rural scene near Sala, located within the Duchy of Parma. Dupré, a Dutch artist who spent significant time in Italy, was known for his precise topographical studies and his ability to capture the specific character of the Italian countryside. The composition is anchored by a long, multi-arched stone aqueduct that stretches across the middle ground, providing a sense of architectural order against the natural forms of the trees and rolling hills. In the foreground, the artist employs a delicate use of wash to define the textures of the rocky stream and the grassy bank. A small waterfall flows over a fallen log, adding a sense of movement to the quiet scene. Two figures, a man carrying a pack and a seated woman, occupy the lower right, providing a sense of scale and human presence. The use of pen and brown ink allows for fine detail in the foliage and the masonry of the aqueduct, while the grey wash creates soft shadows and depth across the composition. Dupré's approach reflects the 18th-century interest in documenting the classical and rural architecture of Italy. His work avoids excessive ornamentation, focusing instead on the clarity of form and the atmospheric quality of the light. The drawing demonstrates a mastery of perspective, guiding the viewer's eye from the immediate foreground, past the figures, and along the rhythmic repetition of the aqueduct arches towards the distant horizon. This piece is a representative example of the artist's output during his travels, documenting the intersection of human engineering and the natural world.

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What our customers say

Real reviews from real customers

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Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
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Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

Daniel Dupré

In a watercolour of the Grotto of the Nymph Egeria in Rome, Daniël Dupré placed himself at the centre of the composition: a small figure, sketchbook in hand, dwarfed by the vegetation and ancient stonework around him. It is an unusually candid self-portrait for the period, and it captures something essential about his practice, which was always about recording place rather than imposing himself upon it. Born in Amsterdam on 20 December 1751, Dupré trained first under the landscapist Johannes van Dregt, then at the Stadstekenacademie under Jurriaan Andriessen. He made early study tours along the Rhine and through Switzerland and Germany before the Amsterdam authorities awarded him a grant in 1786 to travel to Italy and refine his skills as a landscape draughtsman. He spent four years on the peninsula, working in Rome, Naples, Tivoli, Sorrento, Capri and Civita Castellana before returning home in 1790. The Italian years gave him his subject matter. His output was dominated by architectural views and atmospheric landscapes in watercolour, a medium he handled with considerable delicacy. Works like his View of Civita Castellana and Arcadian Landscape with Setting Sun, both now in the Rijksmuseum in Amsterdam, show his ability to build mood through carefully graduated washes, capturing the quality of light in the Roman Campagna and the melancholy grandeur of antique ruins. Dupré spent the remainder of his life in Amsterdam, where he died on 4 June 1817. His work belongs to a generation of Dutch artists who looked south for their education and brought back a taste for Italian light and classical topography that would persist in Northern European painting well into the nineteenth century.