Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A detailed 1681 etching by Jan Luyken depicting an allegorical scene of Mercury and Peace, reflecting the political and trade climate of the Dutch Golden Age.
This etching by Jan Luyken, dated 1681, functions as an allegorical frontispiece or illustration, typical of the period's preference for classical symbolism in political and historical commentary. The composition features Mercury, the god of commerce and communication, identifiable by his caduceus and winged helmet, standing alongside a female figure representing Peace, who holds a palm branch. The inclusion of the text 'Mercure Hollandois de l'An 1679' suggests the work relates to the Dutch political climate and trade relations during the late seventeenth century.
Luyken, a prolific Dutch engraver and poet, demonstrates his technical proficiency through the use of varied line weights to define form and texture. The foreground features a seated male figure, perhaps representing a weary or defeated state, positioned near a drum and discarded military equipment. This juxtaposition of classical deities with symbols of conflict and commerce reflects the broader European preoccupation with the consequences of war and the necessity of trade for national stability. In the background, a scene of public execution or punishment provides a stark contrast to the divine figures, grounding the allegory in the harsh realities of the era.
The print exhibits the characteristic precision of Dutch Golden Age graphic arts. Luyken employs cross-hatching to create depth and shadow, ensuring the figures remain the primary focus against the lighter, etched sky. The architectural elements, including the pedestal and the distant structures, provide a sense of scale and place. This work is a fine example of how seventeenth-century printmakers communicated complex political narratives through a visual language familiar to their contemporaries. The inclusion of the publisher's details at the bottom, 'Chez Henry, et la veuve de Th. Boom, 1681', confirms its role as a commercial publication, likely intended for a book or pamphlet.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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