An allegorical ink and wash drawing depicting the four seasons through the figures of four children, executed by Dutch artist Anthonie van den Bos.

This drawing by the Dutch artist Anthonie van den Bos presents an allegorical depiction of the four seasons through the figures of four children. The composition is characteristic of the period, employing a soft, fluid ink wash to define the forms of the putti as they interact with natural symbols. The artist uses a delicate pen line to establish the contours of the figures, while the brown wash provides volume and a sense of light falling across the scene.

The iconography draws upon classical traditions where the seasons are personified by youthful figures. One child holds a garland of flowers, suggesting spring, while others engage with objects that imply the progression of the year. The arrangement is balanced, with the figures grouped in a way that creates a sense of movement and narrative cohesion. Van den Bos demonstrates a clear understanding of anatomical proportion and gesture, typical of the academic training prevalent in the Netherlands during the late seventeenth and early eighteenth centuries.

As a preparatory study or a finished drawing, the work captures the spontaneity of the artist's hand. The monochromatic palette focuses the viewer on the interplay of shadow and form, rather than colour. The paper retains its original tone, which complements the sepia ink, creating a warm, unified aesthetic. This piece offers a glimpse into the decorative arts of the era, where mythological and allegorical themes were frequently explored in both large-scale paintings and smaller works on paper. The work is held in the collection of the Rijksmuseum, reflecting its status as a representative example of Dutch draughtsmanship from this period.