A refined 1778 stipple engraving by Francesco Bartolozzi, depicting Venus accompanied by putti in a graceful, Neoclassical composition.

This stipple engraving by Francesco Bartolozzi, dated 1778, depicts the classical figure of Venus seated upon a large scallop shell. The composition is circular, framed by flowing drapery and a group of putti who accompany the goddess across the sea. One putto holds a torch, while another aims a bow, suggesting the themes of love and desire associated with the subject. The work was produced as a ticket or announcement for a benefit concert for the violinist Felice Giardini, as indicated by the inscription at the base.

Bartolozzi was a master of the stipple engraving technique, which uses dots rather than lines to create subtle gradations of tone and soft modelling of the human form. This method allowed for a painterly quality that was highly sought after in the late eighteenth century. The collaboration between Bartolozzi and the painter Giovanni Battista Cipriani was common during this period, with Cipriani providing the initial design and Bartolozzi executing the plate. The figures exhibit the graceful, elongated proportions typical of the Neoclassical style, reflecting the period's fascination with antiquity and the idealised human figure.

As a museum-grade print, this piece captures the precision of Bartolozzi's technique. The fine dots create a delicate texture on the skin of the figures and the folds of the fabric, demonstrating the technical skill required for this medium. The composition is balanced and harmonious, typical of the decorative arts produced in London during the late Georgian era. This print offers a glimpse into the intersection of fine art and social life in eighteenth-century London, where high-quality engravings were frequently commissioned for public events and private collections alike.