A refined etching by Gérard de Lairesse depicting the goddess Venus travelling by sea, accompanied by Cupid, in a classicised style.

This etching by Gérard de Lairesse depicts the classical myth of Venus travelling across the sea to the island of Cyprus. The goddess sits within a large scallop shell, a traditional attribute of her birth and journey, while a small Cupid figure guides their passage through the water. The composition reflects the artist's adherence to the principles of classicism, which he championed in the Netherlands during the late seventeenth century.

Lairesse employs precise, controlled lines to define the musculature of the figures and the texture of the sea. The background features a mountainous coastal landscape, rendered with fine hatching to suggest atmospheric distance. The artist's technical skill is evident in the way he balances the foreground action with the expansive, calm horizon. The inclusion of the inscription at the bottom, noting his role as both inventor and engraver, provides context regarding the production of the print under the editorship of Nicolaum Visscher.

As a painter, etcher, and theorist, Lairesse was a significant figure in Dutch art. His work often drew upon Italianate influences, favouring clear, structured compositions over the more spontaneous styles found in earlier Dutch painting. This print demonstrates his ability to translate complex mythological narratives into a refined graphic medium. The interplay between the figures and the surrounding environment is handled with a focus on proportion and clarity, consistent with the academic standards of the period. The work serves as an example of the high level of craftsmanship present in Dutch printmaking during this era, where mythological subjects were frequently reproduced for a discerning audience interested in classical themes.