Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Edward Burne-Jones's 'Venus Epithalamia' (1871) captures the essence of Aestheticism with its depiction of Venus and a bridal procession. This fine art print brings classical elegance and Pre-Raphaelite beauty to any space.
Edward Burne-Jones's 'Venus Epithalamia', created in 1871, exemplifies the Aesthetic movement's focus on beauty and classical themes. The work depicts Venus, the Roman goddess of love, in a scene suggestive of a wedding or bridal procession. The composition is divided into two distinct spaces: in the foreground, a nude Venus stands gracefully, while in the background, a procession of figures moves through a doorway, hinting at a ceremonial event. The inclusion of a cherubic figure on a ladder further enhances the allegorical nature of the piece. Burne-Jones's meticulous attention to detail and his use of soft, muted tones create a dreamlike atmosphere, characteristic of his style. This print offers a glimpse into the artist's fascination with mythology and his commitment to creating visually stunning and emotionally resonant works. As a fine art print, 'Venus Epithalamia' brings a touch of classical elegance and Pre-Raphaelite sensibility to any interior, making it a sophisticated addition to a living room, study, or hallway. Its subtle colour palette and intricate details invite contemplation, offering a timeless aesthetic appeal.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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